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This Always – a new poem from Claire Dyer

This Always

There never was an always like this:
luminous, the slow fall of sycamore keys;
the catch at the back of my throat
like bonfire smoke; bruises
on the petals of late roses.
I am watching this always on timelapse –
stutter and flow. This always is
parakeet-cry and evening, mirror
and reflection, the edges of broken glass
by the roadside throwing up sparks
from the headlamps of passing cars.
It is the slender rain after sunset,
some sky fleetingly lilac, peach,
above the fields on the far side of the river.

 

Claire Dyer, February 2025

Claire Dyer has published four collections of poetry with Two Rivers Press. Her most recent is The Adjustments.

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Jane Austen rows out of the Gatehouse – a poem by Colette Maxfield

Jane Austen rows out of the Gatehouse

Scissors snipping among the tea cups
Little barbed sisters
Little crocus gatherings
Catching the light

Peace distils for a moment

The hand rests temporarily over its sheathed fingers
Poised
In a pocket
For momentous happenings

Colette Maxfield lives in the UK near the point where the Thames River meets the Kennet Canal. Currently working in a university/union setting. Writing free verse poetry and influenced by poets Rilke, Rumi, and Ted Hughes.

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A Sunday in Stuttgart – a poem by Peter Robinson

A Sunday in Stuttgart

After our visit to the Linden-Museum
on a stroll between Hegel and Schiller Platz,
I was pondering an Afghan miniature
like a porthole on the retreat
from Maiwand, aka defeat,
with its fallen private, wounded horse
and grey, manhandled cannon
being trundled back before
their orderly green-flag-bearing horde.

However brave those Bodentruppen were,
that chanced-on Afghan miniature
shows how little its small war
is well-recalled by our Reading lion
(lists of dead support each paw)
teaching what with his teeth and mute roar?

‘Du mußt deine Grenzen kennen lernen!’
was what a harassed mother muttered
scolding one of her two children
as we found our way through the twilit street.

And I could hardly believe my ears.
That ‘limits’ for them would be ‘frontiers’.

~

Also by Peter Robinson: Retrieved Attachments, English Nettles, Bonjour Mr Inshaw, The Constitutionals, Foreigners, Drunks and Babies.

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Pupil (c. 1950) – a poem by Geoffrey Winch

Pupil (c. 1950)

Father, brother, cousins –
all pupils of the George Palmer
infant and junior schools situate
just beyond the brow of Whitley Hill*
………… then,
………… ………… finally,
………… ………… ………… me,

but, right now, I’m with my parents:
we’re walking past Thomas Huntley’s
and George Palmer’s factory where
some of my paternal ancestry double-
baked daily, making biscuits
to feed the world.

I’m amassing my town piece by piece –
histories geographies facts and myths –
creating my innocent’s sense of place.

We follow the factory’s grand façade from
King’s to Forbury Road: cross the bridge,
then the road when slowing traffic permits
to follow the Gaol’s not-so-grand
high perimeter wall.

Unimpressed by the dismal face
the place displays to the world we fed,
I try to imagine instead how pleasant the view
would be now had the Abbey on whose
land it stands never been despoiled.

Nevertheless, it’s a famous place, I’m told,
since Oscar Wilde spent two whole years
hard-labouring behind that wall: the reasons
for his detention, however, could not be said,
not even whispered in my juvenile ear –

his only saving graces it seemed were
his writing children’s stories, and a ballad
about the Goal (which sounded fun, but,
could only be read when I had grown
and become mature).

After the road curves we pause to study
the stonework of Saint James’. Once,
apparently, some stones were Abbey stones,
though it’s difficult to decide. But, to build a new
Catholic church where part of the Abbey stood
using some of its ancient stones sounded like
common sense to a junior Methodist like me.

Now I’m keen to hurry my parents, to go into
those Forbury Gardens that I love: right in
the heart of my town where only a murmur
of traffic is ever heard – so peaceful even
for a child. And, as always, we stand to admire
the big black Lion; I run twice around
the bandstand; we look deep into the fishpond
then follow the path that takes us to
the ruined Abbey’s remains.

Its founder, the first King Henry, still lies buried
beneath those flints flung down long ago by
the last same-named King – but why, Henry,
why deprive my town of its Abbey? –
it must have been so majestic.

Melancholy and quietude mingle with
the juxtaposed austerity of Reading’s Gaol:
one day this child will try to learn why
it’s hard to make sense of it all . . .

Geoffrey Winch

*Quote from The Reading Standard, 26th October 1907
researched by Barnes-Phillips, Daphne for:
So Many Hearts Make a School (Reading: The Corridor Press, 2007)

Geoffrey Winch was born in Reading in 1943; educated at George Palmer Junior and Stoneham Grammar schools. After initially working in Reading, he subsequently worked in Hampshire, Warwickshire, and West Sussex where he is now retired. He’s been associated with several creative writing groups, and was instrumental in establishing the Swanbourne Poets group in Arundel in 2023. His poetry has been widely published in journals and anthologies mainly in the UK, US and online. He has also published seven collections, most recently Velocities and Drifts of Winds (Dempsey & Windle, 2020), and Coffee at Cockburn’s (Felworth Books, 2023) which is a collaboration with Cherrie Taylor. Encounters with Oscar and Other Sequences will be published by QQ Press in the summer of 2024. ‘Pupil (c. 1950)’ will be the opening poem of the sequence. Geoffrey can be contacted at geoffreywinch@gmail.com

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Cannibals – a poem by Fabergé Warland-Edge

Cannibals

We are all cannibals
We consume one another all the time
In flesh and in mind

To know someone deeply
Is to hold a watermelon above your head
With the sun’s rays flowering around it
And smash it on the ground

You wait for the skin to break
And the red juice to spill
You wait to rip the pink flesh apart
With the sharpness of your teeth
All for the sweet or bitter taste on your tongue

It’s the brutal feast
Where we hold our friends’ skulls to the ground
And we let them hold ours
But then comes the swallow

To taste our flavours
And decide to keep tearing
Or leave us
Spilling and broken on the floor

~

Fabergé Warland-Edge is an English Literature and Creative Writing student at the University of Reading.