Posted on Leave a comment

A Silchester ghost – a poem by Gill Learner

A Silchester ghost

For two thousand Springs, a shadowy presence over
these chalky downs, I’ve observed it all. Our tribes in Gaul
rose against invading Romans, so Caesar sent in troops.
My husband was a soldier in the guard of Commios, our king.
His court retreated north across the sea, found a patch
of land with many trees and far-reaching views – easy
to defend. I followed before three moons were full.

We set up in a hut of turf and thatch. Here I practised
what I’d learned at home: raised root vegetables, peas
and herbs; tended chickens and a sow, fattened piglets
sired by a neighbour’s boar. We ploughed a stretch
of land and planted wheat. But when disease began
to spread among the tribe, we fled the settlement, took
our three children to begin again a short ride south.

It wasn’t far enough: our daughter sickened, as did I.
My herbal treatments failed. We died, were ritually burned,
our ashes buried on the farm with two precious things –
a spindle, and my mother’s wedding gift: a looking glass.
Since then I’ve watched the Romans come once more,
destroy our huts, the hall, and build their homes where we
all sang and laughed, lit fires and cooked. Then they left.

Many summers passed in peace: deer chewed the grass
which soon took hold; wolves prowled; hawks circled.
But recently, I’ve seen the ground dug up, replaced, dug up,
replaced again, for cows to trample on. The remnants
of our lives are disinterred and passed from hand to hand.
Our bones are whisked away. But with these fragments
story-tellers reconstruct the past and help us live again.

~

Gill Learner grew up in Birmingham but moved south years ago. Her poems appear in magazines and anthologies, and have won prizes. She has three collections from Two Rivers Press.

Posted on Leave a comment

This Always – a new poem from Claire Dyer

This Always

There never was an always like this:
luminous, the slow fall of sycamore keys;
the catch at the back of my throat
like bonfire smoke; bruises
on the petals of late roses.
I am watching this always on timelapse –
stutter and flow. This always is
parakeet-cry and evening, mirror
and reflection, the edges of broken glass
by the roadside throwing up sparks
from the headlamps of passing cars.
It is the slender rain after sunset,
some sky fleetingly lilac, peach,
above the fields on the far side of the river.

 

Claire Dyer, February 2025

Claire Dyer has published four collections of poetry with Two Rivers Press. Her most recent is The Adjustments.

Posted on Leave a comment

Jane Austen rows out of the Gatehouse – a poem by Colette Maxfield

Jane Austen rows out of the Gatehouse

Scissors snipping among the tea cups
Little barbed sisters
Little crocus gatherings
Catching the light

Peace distils for a moment

The hand rests temporarily over its sheathed fingers
Poised
In a pocket
For momentous happenings

Colette Maxfield lives in the UK near the point where the Thames River meets the Kennet Canal. Currently working in a university/union setting. Writing free verse poetry and influenced by poets Rilke, Rumi, and Ted Hughes.

Posted on Leave a comment

A Rush of Waters, by Roslyn Weaver

A Rush of Waters 

by Roslyn Weaver

On my way there I stop, mid street, to have a word with the cat. Shady, the neighbourhood shadow, has had the temerity to peer up a tree out front of the terrace houses in a way that can only be described as sinister. Worse yet, Shady has now brazenly ignored my raised eyebrows and jumped up onto a branch. I pause to issue a firm-but-fair reminder that Shady’s role in life is as killer of rats, and protector of birds, and that getting out of the tree at once is the only sensible thing to do. I reassure myself I cannot see any nests in the tree anyway. Perhaps Shady is just exploring, like me.

I continue on. As I reach the river, Caversham side, I make the mistake of pausing for a moment to admire the sight of birds and boats and bridges on this part of the Thames. Sensing opportunity, a fleet of fifteen or so young Egyptian geese sprint eagerly towards me the moment I stop, mistaking me for one of the countless portable bakeries operating under the guise of tourists and families. I hastily move on. Resigned, they settle back into the sunshine, until I pause again, when they attempt another siege of my bread-less person. This time I leave and do not stop again. The swan’s nest at the base of the pedestrian bridge on the town side is newly empty, bar a lone egg baking in the summer sun. Beyond, I see mother and four cygnets in the water. They return, spending much time shaking feathers and preening before the babies collapse into heaps of grey feathers and the mother settles back over the remaining egg. Then they return to water, the egg alone again. I wonder what will happen to it.

The waters speak of it before I am there. The slow ripples of the Thames are turning into the violent pull, pull, pull of the canal boat as it slows down on its approach to the lock. It sends water skittling to the concrete edges of the canal and under the pier, creating a deep jarring, echoing thunder as if a sea monster is emerging from ancient depths. Over Caversham lock, I cross the weir bridge, its roar of water spilling down until I reach the other side. Now is the deep thud, thud, thud of the turbines turning, and I stop to listen. I have walked this path a hundred times and never paused to look, or to wonder at their rhythmic drumming. This is the turbine house for hydroelectricity, built by volunteers. Unlike other renewable energy sources – the sun, wind – water from the Thames is ever present, and it is used locally.

But this is not why I am here. I turn to the right, and enter a path I have never travelled until now: View Island. Just at the start of the path, signboards speak of life within. They tell of birds and the houses volunteers have built to encourage them to thrive. This I can hear; I have enjoyed their ceaseless chatter all the way from house to here, from wren to robin and warbler to wagtail. They tell of curious creatures that inhabit the island for three seasons of the year: frog, hedgehog, and muntjac. I have only ever seen the first, and longed to see the second, but the third creature is a surprise; people have told me they’ve seen a deer – a deer! – in the concrete landscapes of our neighbourhood and I now have my answer about that riddle. The signs tell of the insects that call this island their home: centipedes, woodlice, and beetles. The close-up picture of the stag beetle – with the male growing to almost 8cm long – is fearsome and fascinating. They tell of the fish – chub and pike, and eel – that might be making their way along the river here. And this is why I am here.

Fish Pass image for blog post Oct 2023As I walk through the sunlit green haze of tangled bush and tree, alternately stung by nettle and serenaded by birds, choosing this path and that path, I eventually find the fish pass. Here the waters are rushing, a fast and eager sound of opportunity. This pass is also volunteer-built, and helps fish swim upstream without being stopped or confused by the weir or turbines. It looks different to the fish ladders I have seen in Canada, where I used to live. This one has a slope rather than steps, with a concrete-based section to make it easier for fish to swim up the pass. Recycled plastic reeds slow the flow; slope variations create fast and slow flows appealing to different fish; pools give them somewhere to rest. Fast, slow, still. Pebbled ‘eel tiles’ near the turbines help eels to slip into the pass. The young eels, elvers, have travelled thousands of kilometres from the Sargasso Sea to spend a quarter of a century in the Thames growing, before returning to the Sea for spawning. Eels once thrived in the Thames. Now they are critically endangered. Climate, pollution, parasites, hydropower, weirs, dams – whatever the culprit, fish passes such as this are now crucial to aid their survival.

I stand here some time, head bent to watch the dappled blades of light searching out the dim green waters of the pass, accompanied by the sound of constant movement from the rushing river: fast and slow, slow and fast. At last, vague shadows appear, several moving together, dim long outlines wandering along the fish pass. I cannot tell if they are chub, pike, elvers, or something else, but I can tell it is life.

I return home. Shady has now taken up residence on the hot roof of our neighbour’s old bomb shelter and I nod my approval. I empty the dirty water from flower vases into garden pots, calves still burning from nettle, and listen to the soft spill of the water trickling into its new home. Thames to tap and back to earth.

~

Roslyn Weaver is a writer living in Berkshire, whose publications include academic books and journal articles on literature and popular culture. Her website is here: www.roslynweaver.com.

Posted on Leave a comment

Margins of Reading – a poem by Alex Saynor for Peter Robinson

Retrieved Attachments CoverAlex Saynor writes: I have been inspired by Peter Robinson’s poems for several years now; the starting point for me was The Returning Sky, and I’ve loved all publications since, up to, and very much including, the recent Retrieved Attachments. I started teacher training at Reading School in 2007, and therefore feel an affinity and familiarity with many of the locations referred to in the poetry. When Buried Music was published, I sent ‘Inland Seagulls’ (referred to here) to the longstanding Head of English at the school, as it is set directly next to the school – he was really struck by the mention of Baudelaire’s albatross in the context of local imagery and wondered how the boys would react! There are references to other poems as well (including the amazing Locks and Moorings) and I have been very inspired by the syntactical style too. The encounter with Iain Sinclair refers to the hour or so before delivery of the Finzi lecture at London Road a few years ago now. In that connection, The Constitutionals was another book I found fascinating, especially as an avid reader of both Iain Sinclair and the late W.G. Sebald, both acknowledged in the book, whom I was fortunate to be taught by for one semester prior to his untimely death in October 2001.

~

Margins of Reading
For Peter Robinson

With all that brickwork, a shed ablaze
and also, through intersecting lines,
the sky at the far horizon,
there’s a gift for the burning bush
observed through rain-smudged glass,
in writings on negotiated walls
or in the voices of students on their way to class.

I once overheard you and Iain Sinclair
among porticoes on London Road.
It was something about the architecture of hospitals.
Do places retain a memory of pain?
In building anew, what do we remove?
Your eyes roam through famous and common land,
find what makes a town distinct

on the margins: gasometers, factories,
an odd inland gull, people on unique trajectories,
made new or strange by weather, politics,
light catching off glass by the Oracle offices
as though fire radiates across the valley
from a business park and cobbled together
nature reserve or gesture by Sonning.

Then the pause, the interregnum:
thoughts of Liverpool and stations in-between,
a life transplanted and re-planted
as a now quite utterly unique breed
in a Thames Valley influenced by the Far East
seen through a lens of past industry
with modern trade on credit seen for what it is

and mainstream media interests
less significant than the cracks on the road,
geese proliferating by Kennetside
road ends, salvaging moments
against the currents of memory
in fleeting cloud glimpses and aphorisms
converging in time and halting,
as you said, but only for now,
in the grounds of abbey ruins.