A Robinsonade in which our narrator, weakened and marooned by illness, walks his local streets, pondering on recovery and rescue, for himself and for the diseased society in which he finds us confined.
Another lovely cover and a fascinating and unusual portrayal of Reading through the eyes of a figure haunted by being called Crusoe in childhood. What does he discover about the place in which he’s settled with his wife, whom he will call Friday, and their ocean-haunted daughter as he ‘sets out to avert global catastrophe, hoping to trigger the end of neoliberalism by going for a walk’?
The original artwork for the cover, designed by Sally Castle, will be on display at Whiteknights Studio Trail (venue 9) on 15/16 June where you can meet both artist and author. And there will be a launch party at 24 New Road on Saturday 15th June, 6.30pm, with readings and a chance to ask Peter about the therapeutic links between reading, writing, walking and thinking.
More about The Constitutionals…
Can we encourage you to join Adrian and Geoff on a series of guided walks to celebrate the publication of Rural Reading and inspire you to notice the abundance of nature on our doorstep? Please note the BOOK LAUNCH on Saturday 22nd June, with cake and elderflower cordial at the walk’s end at Kennetmouth (2nd event above).
However the United Kingdom and Northern Ireland leaves the European Union, if it does, the long and deep-rooted connections between the poetic cultures of these islands and those of continental Europe will continue to be, and need to be, sustained.
As a celebration of these continuities, whose existence has, if anything, been made more urgently manifest by the current political crisis in which the countries of the British archipelago find themselves, the Department of English Literature at the University of Reading and Two Rivers Press, the town’s most prominent publisher, hosted an evening of readings featuring poems and translations from or about experiences of Europe.
This event also served to launch two new volumes on these and related themes, Ravishing Europa by Peter Robinson (published by Worple Press) and A Part of the Main by Philip Gross and Lesley Saunders (publish by Mulffran Press). Jane Draycott, reading from Storms under the Skin, her translations of Henri Michaux (Two Rivers Press), a Poetry Book Society Recommended Translation in 2017, joined them; and the evening, hosted by Steven Matthews, included guest appearances by other poets published by Two Rivers Press in 2019, including Kate Behrens, James Peake and Conor Carville.
The event took place in the foyer café at the Museum of English Rural Life, Redlands Road, Reading, on Tuesday 12 March 2019.
This event was supported by a grant to the Department of English Literature from the Endowment Fund of the University of Reading and by gifts in kind from Two Rivers Press.
We are delighted to announce the launch of our New Series!
The Botanical Art Portfolios, edited by Julia Trickey, feature distinguished botanical artists, their work and their inspiration. Intentionally both beautiful and useful, these handy-sized paperbacks are designed to be taken anywhere, referred to, collected and gazed at. Each book will bring out the personality of its individual artist, showcase their work and share why they love what they do, explain their choice of subjects, the distinct techniques they have developed, and their failures as well as their successes.
Here is the first title in the series: Botanical Artistry by Julia Trickey. It’s out now!
Tuesday 12 FEBRUARY, 7.30pm
A PART OF THE MAIN
A reading at Toppings bookshop, Bath, from the newly published A Part of the Main by Lesley Saunders and Philip Gross. This collaborative project grew from an email exchange after the referendum of 2016. In a time of soundbites and binary rhetoric, it gives the pressing questions about individual and national identity more breathing-space, more heart- and head-room.
Tuesday 12 MARCH, 5.30pm, MERL
POETRY IN EUROPE
Jane Draycott, Lesley Saunders, Philip Gross and Peter Robinson will celebrate relations between contemporary British poetry and poetry from Europe. Far from being merely a lament or complaint, it will draw attention to the deep continuities between our poetic culture and that of our nearest neighbours, underlining that these continuities will continue despite the United Kingdom’s imminent withdrawal from the European Union.