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A Silchester ghost – a poem by Gill Learner

A Silchester ghost

For two thousand Springs, a shadowy presence over
these chalky downs, I’ve observed it all. Our tribes in Gaul
rose against invading Romans, so Caesar sent in troops.
My husband was a soldier in the guard of Commios, our king.
His court retreated north across the sea, found a patch
of land with many trees and far-reaching views – easy
to defend. I followed before three moons were full.

We set up in a hut of turf and thatch. Here I practised
what I’d learned at home: raised root vegetables, peas
and herbs; tended chickens and a sow, fattened piglets
sired by a neighbour’s boar. We ploughed a stretch
of land and planted wheat. But when disease began
to spread among the tribe, we fled the settlement, took
our three children to begin again a short ride south.

It wasn’t far enough: our daughter sickened, as did I.
My herbal treatments failed. We died, were ritually burned,
our ashes buried on the farm with two precious things –
a spindle, and my mother’s wedding gift: a looking glass.
Since then I’ve watched the Romans come once more,
destroy our huts, the hall, and build their homes where we
all sang and laughed, lit fires and cooked. Then they left.

Many summers passed in peace: deer chewed the grass
which soon took hold; wolves prowled; hawks circled.
But recently, I’ve seen the ground dug up, replaced, dug up,
replaced again, for cows to trample on. The remnants
of our lives are disinterred and passed from hand to hand.
Our bones are whisked away. But with these fragments
story-tellers reconstruct the past and help us live again.

~

Gill Learner grew up in Birmingham but moved south years ago. Her poems appear in magazines and anthologies, and have won prizes. She has three collections from Two Rivers Press.

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Gathering Places – a tanka sequence from Geoffrey Winch

Gathering Places
(tanka sequence)

Reada’s people, settling
in this valley where
the Cunnit’s waters join
forces with the Temes’,
call their town Readingum

the Saxons who settle
on the southside hill
cut down trees and burn them
by the score: spreading piles of
wood ash, they whiten the soil

the Conqueror’s men
on their fact-finding mish
come to Witelei
to weigh-up its worth and record
it in the Book of Domesday

monks seeking refreshment
come up to Witelei to taste
the waters from its springs:
as it is to their liking
they pipe it to their Abbey

wisely, Whitley growers
plant their crops around
the fresh-water springs
then harvest them to sell
at markets in Reading town

around those Spring Gardens
Victorians build terraces of
houses for people:
shops, pubs and Mission Hall
for their needs and pleasure

where the roads from Town,
Whitley Wood and Shinfield meet
Mister Blandy installs
his spring-water pump with
triple spouts and triple troughs

outgrowing the Mission Hall
Wesleyans build another
but bigger:
Whitley Hall Methodist Church
where, praising God, they gather

it was a sad time when
Whitley Pump was demolished
and the triangle
disappeared to make way
for the roundabout

it was patronised by
many working horses:
the triangle itself
with its several lime trees
and circular metal seats

such a popular
meeting point for many of
the older locals:
being used for public meetings
particularly at election times

first of the post-pump era,
we four-five-year-olds climb
Whitley Hall’s back stairs to
Sunday School in the billiard room:
we are the new Beginners . . .

~

Geoffrey Winch

In her book The Top of Whitley (Reading: Corridor Press, 2002) Daphne Barnes-Phillips details much of the history of the Spring Gardens area and Whitley Hall Methodist Church. The italicized passage in ‘Gathering Places’ is a paraphrase (in tanka form) of part of Bob Cooper’s memories as recorded by Daphne. Now retired, Geoffrey Winch lives in West Sussex. He was, however, born in Reading in 1943; educated at George Palmer Junior and Stoneham Grammar schools. He left the town in 1965. His poetry has been widely published in journals and anthologies mainly in the UK, US and online. His most recent pamphlet collection is Encounters with Oscar and Other Sequences (QQ Press, 2024), and his next full collection Reading: Around the Town of My Geneses is due to be published by the Corridor Press in 2026. He can be contacted at geoffreywinch@gmail.com

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Two poems from Geoff Sawers

Ethnic Rinse

You say: they’re lost in the tunnels, under the fields
You say: now is hardly the time to be waving placards
tell me, loam and clay thickening between your toes
what brick-dust and glass feel like underfoot

Evil accelerates
froths from skies and circulates with the coffee
in cataleptic delirium, greentext trance
the walls, the ships, the moles as high as a a

complete collapse of metaphor, parataxis
drip, run, hide, dodge, read the morning paper
lost in the screenworld, the glue between the lines
the summer corn as high as Stalin or Pol Pot’s eyes

~

Powers of the Water

her frozen fingers
work her hair
into a fishtail braid
waiting for a letter, one-sided, wondering
if a single word, like love, might not be redacted

on Mapledurham Hill
the moon is a sun
seen through five fathoms of water
and kicking our legs like frogs we lift off
candles lit, swim up and up and up to

too soon
or not too soon
journeys are hard
come in from the yard and wash your hands
your face, before you sit at the table

mutinous
hours too soon
unmarked cars
the rap on your door several hours before dawn
mad but not mad enough

to write
dust in the night
bats in a rage
wheel and scream and the rising sun breaks
like an egg across my face

scratched ankles
on rough maple bark
a vixen barks
walnuts honey and wine, her treasure always
one snowflake in a silk-lined box

~

Geoff Sawers

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A poem by Kate McLoughlin — Kennet Avon

Kennet Avon

Reading: Kennet swerves to Thames.
We start to walk, upstream,
the little green English river beside us,
Bristol our end.

Kennet easters, wester we,
each on our own business,
parallel but opposite,
enjoying the other’s contrary impetus
in mutual respect.

Switchback at Cadley Lock:
our companion water
no longer contra
but similarly aimed.

Its congruence encourages,
yet I miss our agreeing
to move in opposite directions
side-by-side.

~

Kate McLoughlin lives in Iffley, Oxfordshire

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Two poems by Eric Fairman

The dancing farmer

(Inspired by Candy)

The dancing farmer was out in the field,
She was making hay whilst the sun shined.
With a scythe she cut the lush green grass ,
For it was her task that she had been assigned.

With her two pronged hay fork she went a turning,
To dry it equally on both sides.
She danced and sang as she toiled away,
She was happy, and besides.

It was an important task and this she knew,
For the animals they all needed to be fed.
She had much to do before her day was done,
And she could fall back into her bed.

From heavy to light, and from dark to light,
The grass turned into hay.
Thin and wispy, and dry and firm,
Then she smiled and said “I say”.

What a fine job I have done indeed,
And what a pleasure to behold.
The green lush grass has now changed its hue,
And is now a beautiful gold.

~~

The scarecrow and the crow!

(Inspired by Jimmy)

The scarecrow said to the crow,
For years I have stood in this field.
I have watched you come and go,
And to fear you do not yield.

Why do I not scare you?,
After all I am indeed a scarecrow!
But you sit perched upon my shoulder,
I wonder how this can be so?

With it’s black beady eyes,
The crow it looked around.
And then a loud caw, caw, caw,
Was the only sound.

Cannot you speak to me crow?
I bet you have tales to tell.
I have watched you fly off over yonder,
Over the church tower with it’s bell.

Out of sight you go,
To where I do not know.
And me, I’m rooted to the spot,
Do you not pity this poor scarecrow?

Who lives out his days,
With an unchanging view.
O’ little crow,
How I wish I was you.

But you do not even fear me,
And how you peck at my straw.
Do you have no shame?
But you only answer with a caw!

Fly away and leave me to my sorrow,
Let me lament and wail.
I cannot even scare you,
At my purpose I do fail.

So leave me be and fly away,
Do not come back again.
You only cause me sorrow,
And unbearable tormenting pain.

Be gone for now and for ever,
Just leave me to my woe.
As I stay rooted to my spot,
And watch the seasons come and go.

~~

Eric Fairman is a local poet born in Reading, who has been writing prolifically for the last several years and who also performs locally at open mics and art centres, including South Street Poets’ Café and Dreading Slam at the Rising Sun Arts Centre. He loves writing and performing with a passion.