Islamic Art Meets British Flowers

£15.99

  • This beautiful book came about when Hadil Tamim and Adrian Lawson met each other through their work at the Reading Refugee Support Group
  • showcases the art of Hadil Tamim inspired by British flowers
  • a unique and exciting combination of the formal structure and discipline of Islamic floral pattern-making with local British flowers and architectural forms
  • includes excerpts from Hadil Tamim’s sketchbook and practical sections on the techniques she uses
  • with commentary from Adrian Lawson on the flowers depicted
  • Hadil’s artworks are inspired by the architectural forms of the buildings in her home town of Reading

Description

In a beautifully harmonious juxtaposition of two cultures, Islamic Art Meets British Flowers combines the formal structure and discipline of Islamic floral pattern-making with British flowers and architectural forms to create a truly unique series of artworks.

Hadil Tamim, was born in Al-Yarmouk Refugee Camp south of Damascus, Syria. Her family’s heritage is rooted deeply within occupied Palestine. For the last two decades she has been living in Reading, UK, where she has turned to her art to create a bridge between two homes and two cultures. The result is a couple of dozen breath-taking new works – a new pattern line. They draw on the architectural forms of the buildings in Reading for structure and colour, the flowers found in and around the town for the arabesque, and the artist’s training in ceramic and Islamic decorative art.

Together with excerpts from her sketchbook and practical sections on the techniques she uses, along with Adrian Lawson’s commentary on the flowers, this gift of creativity in a situation riven with conflict, provides inspiration and hope for art lovers across the globe.

Hadil Tamim and Adrian Lawson. Paperback, 200 x 200mm, 74 pages, April 2021
Tom Green from Counterpoints Arts interviews Hadil Tamim and Adrian Lawson on Facebook here. The interview was recorded as part of Refugee Week UK in June 2021.

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